Martial art taekwondo pioneers and promoters

By Andrew Salmon

Jhoon Rhee, left, Choi Hong-hi, center, and Kim Un-yong are three of the key figures who have taught, developed and marketed Korea’s most successful non-industrial export — martial art taekownndo — to the world. / Korea Times

By Andrew Salmon

Students at the University of Texas sport hall looked on as a wiry, barefoot Asian man, dressed in what looked like white pajamas, secured with a strip of black cloth, strode the length of the hall, punching the air and kicking above his head. Then he raised his knee, yelled, and kicked out at one of the gymnasium’s 40-foot-high wooden beams.

The veneer in the wood cracked all the way to the ceiling.

Astonished, the students watched intently as the little man called out members of the university football team to demonstrate on. Each — and he chose only the largest — was disposed of with the kind of fighting technique few Americans in the early 1960s had ever seen.

The man’s name was Jhoon Rhee. A recently retired major from the South Korean army who had emigrated to the United States in 1959, he was one of the first masters to demonstrate a martial art called “the way of foot and fist” — or in Korean, “taekwondo.”

As names, Jhoon Rhee, Choi Hong-hi and Kim Un-yong are not nearly as recognizable as those of the presidents, revolutionaries, chairmen, generals and sportspersons who have populated this column thus far, but they have been greatly influential in the international space, for they are three of the key figures who have taught, developed and marketed Korea’s most successful non-industrial export to the world.

Martial art is born 

Oddly, this most Korean activity has Japanese antecedents. By the mid-20th century, Korea’s traditional martial art, taekkyun — a folk sport frequently practiced alongside ssireum, or traditional Korean wrestling — was within one practitioner of extinction.

However, during the 1910-1945 colonial era, a number of Koreans had studied Japanese karate — itself, originally an Okinawan import. The most famous of these men, Choi Bae-dal changed his name to Oyama Masutatsu and remained in Japan, where he founded the famous Kyokushin system of karate.

But others taught in Korea, in their schools, or “kwan.” The arts practiced within were variously named kongsudo, taesudo and tangsoodo. It has been claimed by some that there was influence from traditional Korean styles, but the last living taekkyun master, Song Duk-ki, had no relationship with any of the original kwan. The masters of all had studied karate (though one had also studied kung fu) and the material taught was identical to karate in terms of uniforms, training methods and techniques

After the Korean War, the major kwan expanded to nine and in 1955, they met under the headship of Gen. Choi Hong-hi, who had instituted martial arts practice in military training, and agreed to coalesce under a new name suggested by Choi: “taekwondo.”

Taekwondo had government backing, but its Japanese origins did not sit well with a people who harbored sour memories of harsh colonial rule. So taekwondo was Koreanized: local terminology was adopted, a code of conduct written and the national flag emblazoned across uniforms and training halls. A long history was tacked on to the art, tracing taekwondo to the near-mythical warriors of the Goguryeo and Silla Kingdoms, while making little or no reference to Japanese influence. But taekwondo’s technical development would lead it far from its Japanese roots.

Taekwondo takes off

Korean firms won global success not for creativity, but for effective manufacturing and incremental innovation, i.e., starting as copycat makers, then moving up the value chain by tweaking and improving products here and there — a faster semiconductor, a thinner LED screen, etc. So it would be with taekwondo.

From the late 1960s onward, taekwondo began to change. Either consciously or unconsciously, taekwondo began to mirror taekkyun (which Choi, who had not founded one of the first kwan, had studied prior to learning karate) in its emphasis on kicks. Taekwondo masters developed a wide range of powerful thrusting, spinning and jumping kicks. And Koreans pioneered full-contact fighting competitions — a development rejected by Japanese karate organizations, who believed, erroneously, that their skills were too deadly to use full-force. (The only Japanese school which promoted full contact was led by the Korean, Choi/Oyama.) In light of combat experience, changes were made to both training methods and techniques. Taekwondo began to move from a martial art to a combat sport.

On the “mass manufacturing” front, moves were scientifically broken down into easily teachable segments and the solo forms of taekwondo — set sequences of linked moves — were simplified, enabling a single instructor to lead a class of dozens, even hundreds, of practitioners. This enabled systemization of the grading process, which, in turn, eased organizational management and oversight.

As these developments were underway, Koreans were heavily engaged in the Vietnam War. While Korean troops in the Korean War had often been poorly equipped and poorly led, in Vietnam, the “ROKs” proved tough and brutally effective, winning the respect of their American allies. All were trained in taekwondo, and soon they were teaching the art to their allies. The art’s internationalization had begun and as the Vietnam War came to its conclusion, a martial arts boom was surging across the United States.


While U.S. troops in Japan and Okinawa studied karate, GIs in Vietnam and Korea studied taekwondo. But Tokyo was pushing Japanese judo, not Okinawan karate as a global sport, while Seoul promoted taekwondo through the International Taekwondo Federation (ITF), founded in 1966 under Choi’s headship. Under this program, instructors were dispatched abroad to promote the newly organized and rapidly sportifying art.

Choi himself fell afoul of Korea’s then-violent politics. In 1966, he reportedly visited North Korea, where he would subsequently introduce taekwondo. That was a standout moment in a series of events that remain murky to this day, but which include a long-simmering dispute between Choi and President Park Chung-hee. These events would lead Choi to leave South Korea and re-establishing the ITF under his own leadership on neutral ground — Canada — in 1972. (Even murkier events would follow: Choi’s son, Choi Jung-hwa, would later sensationally state that North Korea had hired taekwondo experts to kill President Chun Doo-hwan in the 1980s.)

To replace the ITF, the WTF, or World Taekwondo Federation, was founded in Seoul. To this day, the two organizations represent the North and South Korean versions of the martial art: the former remains the martial art Choi codified, the latter, a more sportified version. In today’s WTF, Choi’s role in taekwondo’s development and promotion has been heavily airbrushed.

However, it seems that the split between the two organizations may have furthered the internationalization of the art, as the two rival bodies competed to win national converts.

Regardless of their affiliation, many Koreans who instructed abroad, including early pioneers such as Rhee, found an eager international audience awaiting them, offering a far better living abroad than at home. Nowhere was this more true than in the United States.

Coming to America

In the early 1970s, Asian martial arts entered the Western world’s cultural mainstream thanks to the chop-socky thrillers of Bruce Lee and David Carradine’s “Kung Fu” television show. Although both Lee and Carradine espoused Chinese martial arts, kung fu teachers in the West were secretive, split between scores of different (and often esoteric) sub-styles, and lacked an overall organizational body.

The Koreans, on the other hand, were organized, visible, hard-working and more than willing to teach the Western public. In addition to their fearsome post-Vietnam War reputation as the “Prussians of Asia,” avuncular masters like Rhee promoted their art as a useful disciplinary and educational endeavor for children. And Korean taekwondo, with its arsenal of high, spinning and jumping kicks, was perfectly placed to catch the eye of a public for whom “Asian martial arts” tended to mean “high kicking.”

Soon, almost every American town had a taekwondo studio in its mall or main street, and martial artists nation- and soon world-wide either learned taekwondo or borrowed its kicks, which became popular weapons at cross-style martial arts tourneys.

Bruce Lee and Jhoon Rhee became friends and exchanged techniques; Rhee reportedly taught Lee high kicks, while Lee taught Rhee his hand techniques. That relationship paved the way for Rhee’s starring role in a forgettable auctioneer “When Taekwondo Strikes” (1973). Rhee (wisely) decided not to pursue a film career and stuck to teaching, though he did create an iconic TV ad, featuring a cute little girl and the strap line “Nobody Bothers Me!”

In 1973, Bruce Lee died. With martial arts movies storming global box offices, the question was who would fill his shoes. It fell to a Korean stylist to become the next global martial arts superstar: Chuck Norris, an all-American martial arts champion who had learned his kicks while stationed at Osan Airbase. Battling drug dealers, Viet Cong and terrorists, Norris emblazoned Korean kicks across popular culture.

To look again at taekwondo in business terms: the U.S. led global trends and success there enabled success anywhere. Taekwondo went global, disseminated by hard-working expatriate teams of Korean instructors, dispatched by the head office in Seoul, the global brand headquarters. But there was one multinational marketing platform for taekwondo still to capture: the Olympics.

Into Olympic Games 

Perhaps the defining moment that South Korea emerged onto the world stage was in 1988 as the host of the Summer Olympics. The standout scene of the opening ceremony was a mass display of taekwondo choreography; the art was also a demonstration sport in 1988. This achievement would largely be laid at the door of Kim Un-yong, the WTF head.

Unlike the ITF’s Choi, Kim was not a taekwondo practitioner himself, but a sports politician. The ITF and WTF promoted separate world championships in 1973 — the ITF in Montreal, the WTF in Seoul — but it was the WTF, with the backing of South Korea that had begun to draw ahead in the competition between the two governing bodies.

Kim, who would leapfrog from WTF head to vice president of the International Olympic Committee (IOC), successfully lobbied to have WTF taekwondo included in the 1984 Asian Games, then the 1988 Summer Olympics, where it was a demonstration sport in Seoul. In 2000, it became a full medal sport in Sydney.

Kim himself did not reap the rewards of WTF success. In 1999, he received a “severe warning” from the IOC for securing jobs for his children. In 2004, he was arrested in Korea on charges of corruption and embezzlement, following the failure of PyeongChangWinter Olympics bid: he was accused of sacrificing PyeongChang to solidify his own position inside the IOC. He was jailed for two years and expelled from the IOC. It was a dramatic plunge for a man who had so successfully led the WTF, under which organization taekwondo became perhaps the world’s most popular martial art.

Tomorrow’s challenges

Taekwondo of the 21st century, like its Asian cousins karate and kung fu, is facing a new challenge in the global arena. Mixed martial arts competition, or MMA, has proven a massive hit with global television audiences, making it the first combat sport since pro boxing to succeed as mass entertainment.

Moreover, the broad technical range and “no-holds-barred” rule-set of MMA arguably makes it more effective as a fighting system than style-specific martial arts such as judo, taekwondo, karate and kung fu, none of which have won significant audiences beyond their own circles of practitioners. How Asian martial arts will be impacted by MMA in the long-term remains unclear.

Although the current WTF president, the respected academic Dr. Choue Chung-won, eagerly promotes the art’s internationalization — he once noted his pleasure at seeing a demonstration mixing taekwondo and tango — South Korean flags continue to be saluted in taekwondo training halls and sewn on taekwondo uniforms worldwide. It is hard to think of another Olympic sport that so closely binds itself to its country of origin.

And at home, its catchment pool may be dwindling. In the 1960s, 70s and early 80s, Korean taekwondo practitioners were hardcore martial artists in an era when few other extra-curricular activities were available. As growing prosperity makes young Koreans less hardy, ever-increasing leisure options create competition for martial arts.

Today, outside the military PT curriculum and pro-athletic training at sports universities, Korean taekwondo is almost exclusively the province of children. And with regular grade tests being taken by thousands, the once-vaunted black belt has lost its mystique.

Moreover, as of this November, Korea’s Cultural Heritage Committee has recommended taekkyun be listed as a UNESCO living cultural heritage. In a truly remarkable renaissance, the ancient martial art survived Song’s death in 1987. His students oversaw the art surging in popularity in the 1990s, mainly on university campuses. Today, even to the layman’s eyes, it is easy to distinguish between it and taekwondo. An official designation recognizing taekkyun, not taekwondo, as Korea’s traditional martial art, drives a further nail into the latter’s dubious history.

So taekwondo stands at a crossroads. Will it secure a full-time Olympic slot or not? Is it a martial art for adults, a combat sport for athletes, or an educational activity for children? Is it traditional or modern? Is it Korean or international?

Arguably, it is now deep and broad enough to be all the above, for the art’s astonishing global popularization mirrors Korea’s astonishing national ascent — the greatest national success story of the 20th century. However — like the peninsula — it remains divided among different governing bodies, with their own forms and competitive systems.

So what of Choi, Kim and Rhee?

Choi died in 2002 in Pyongyang, where he received a state funeral. He stated that he had taught the art regardless of ideology or nationality, but his ITF has splintered, leaving the WTF dominant. Even so, due to his influence on, and naming of the art, he is widely honored as “the father of taekwondo.”

Kim served his jail term, but never recovered his positions; his role in WTF taekwondo’s global success has largely been superseded by his personal disgrace.According to his website, he is today taking advisory roles in Korean sports organizations

Rhee, now in his 80s, never swerved toward movies or politics, but continues teaching taekwondo, including on Capitol Hill. An icon of physical fitness, he is so respected among America’s elite that, in 2000, he was named alongside Alexander Graham Bell and Albert Einstein as one of the nation’s “most notable immigrants.”

Despite its political vicissitudes, the martial art these men taught, developed and marketed is an icon of modern Korea. Like kimchi, taekwondo is one of a handful of Korean words spoken and recognized worldwide.

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Doug Nowling

Nowling sahyun has been a long time student of the martial arts and a history major and has been published and continues to promote all martial arts via the Kido Kwan, its publications, students and members .

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Doug Nowling

About Doug Nowling, Director General

Nowling sahyun has been a long time student of the martial arts and a history major and has been published and continues to promote all martial arts via the Kido Kwan, its publications, students and members .

This entry was posted in General Martial Arts, Kido Kwan, Korean Studies & History, Taekwon-Do (ChangHon) aka ITF. Bookmark the permalink.

One Response to Martial art taekwondo pioneers and promoters

  1. Leonardo says:

    I think this is a real great article.

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